March 23, 2015

Simplicity

Moment. David Hayes, 2015.

Last week's Be Still 52 lesson asked us to pick a simple subject...like a spoon...and explore lighting "around the clock" which is to say taking a look at all angles of your subject: back lighting, front lighting, side lighting, and all the angles in between...

Moving away from light bulbs and ice cubes, I decided to use a sumi brush and ink bowl as my subject. In this first image, Moment, shooting with my Nikon DSLR, I shot from the side and slightly above. I then processed the image in Lightroom using one of Kim Klassen's presets followed by opening in Photoshop and applying one of her textures.

Sumi. David Hayes, 2015.
I used a similar workflow when creating Sumi, but with a different Lightroom preset and Photoshop texture. Subtle differences in how each image presents itself but both turned out to be a great study in simplicity, shadows, and texture.




March 18, 2015

Ice. Cubed.

Abstract (Cube). David Hayes, 2015.

In Monday's post I shared with you that I had hoped to build on the success my lightbulb series has experienced by doing a like shoot using jumbo ice cubes. I also shared that I didn't think that this shoot worked as well...but now I'm thinking I might have been a little hasty in my judgement. Looking at my close ups of the ice cubes I was struck how much they reminded me of abstract paintings...and off I went!!

Abstract (Cube) started off as a close up of two ice cubes. Then I used a brand new app, "Enlight" and there it is!!


My Love Is Blue. David Hayes, 2015.

Intrigued by air bubble in the top ice cube I went to work on this image. Two ice cubes, a large dose of the app "iColorama" and a touch of "Snapseed" and I had My Love Is Blue.

Storm. David Hayes, 2015.

This one took me a bit of work to bring around to something I liked and that was keeping to the series. After using the app "Stackables" and some help from "Snapseed" I finally came up with Storm

There you have it...my Ice. Cubed series. I haven't given up on using jumbo ice cubes in a future shoot...so stay tuned!

March 16, 2015

Cubed

Cubed. David Hayes, 2015.

After the success I had with my "Lightbulb" series, I thought I'd give a go at recreating the series using jumbo ice cubes. After giving a look at my raw images after that shoot, I decided that they just didn't work. For all sorts of reasons. I'll try again some other time...in the meantime I thought I'd share a couple of the images that did work. Like Cubed which I shot with my iphone6 and processed using the app, "Stackables". 

March 13, 2015

Celestial

Celestial. David Hayes, 2015.


One last image from my "lightbulb series". Celestial was shot using my iPhone 6 camera app and processed with the apps Handy Photo and Laminar Pro. I've posted a short tutorial on how I created this image over at "The Woven Tale Press". Here's the link to take you there:Celestial

March 11, 2015

Brown Bulb

Brown Bulb (v1). David Hayes, 2015.

One more look at my shoot from last week...this time a close up of the same set-up I shared on Monday with the "focus" on the amber bulb. This first version was shot with my DSLR and processed in Lightroom for the usual things. No preset was applied.


Brown Bulb (v2). David Hayes, 2015.

Same shot as in the first version, but this time I applied Kim Klassen's "Breathe" preset and did some light adjustment to the Saturation setting. This version is a touch more softer...but you'll have to look close to see any difference.

Brown Bulb (v3). David Hayes, 2015.

This time I applied Kim's "Lazy Day" preset and touched up the Saturation. I do like how this preset worked with the amber bulb as well as the background...so my vote goes with this version.

March 9, 2015

Three Up


Three Up (v1). David Hayes, 2015.

Backlighting was the gist of Week 8, Be Still 52. So...the prompt was to give it a try using various settings on our cameras...playing with the light if you would. We were also asked to try out a couple of new LR presets that Kim also provided. This first version was shot with my DSLR and processed in LR for the basics. No presets applied.


Three Up (v2). David Hayes, 2015.
Version 2 has the "Breathe" preset applied and I did some adjustment to Saturation after applying the preset. Makes it look a bit dreamy...

Three Up (v3). David Hayes, 2015.
This final version has the "Breathe" preset removed and the "Hazy Day" applied. Again, I adjusted the Saturation. A bit of sepia/vintage look....

While I like all three it's Version 1 that gets my vote at the moment!

March 6, 2015

The Woven Tale Press



It has been my pleasure to recently become a part of the community of artists at The Woven Tale Press. This is a community of people - writers, photographers, artists - brought together by a diverse editorial group who offer a "collection of eclectic culling of the creative web." In addition to regular member posts, they publish a monthly e-magazine "to highlight the blog post otherwise buried in a blogger's archives; the painting or photograph from an artist's site worthy of greater focus than its singular web page; the innovative, the funny, the offbeat."



I am quite excited to share the fact that in the just issued March issue that I have a multi-page feature of some of my latest still-life images. I am also excited by the fact that in this very same issue my friend, Amy Duncan of Four Corner Designs, has two of her digital collages featured! 

I hope you check out not only the latest e-issue of the Woven Tale Press but their website as well! 

March 5, 2015

White Tulip

White Tulip (v1). David Hayes, 2015

I couldn't help but leave you with a couple more images of the tulips I used in my still life set-up this week. Like the other images I posted this week, I shot this with my Nikon D90 DSLR and processed it in Lightroom. This first version also has the "Breeze" preset applied after I had adjusted for things like exposure, contrast, and the such.

White Tulip (v2). David Hayes, 2015.

To create this version, I opened version 1 in Photoshop and applied the texture Simple Set #2. I do like how this texture brings out the shadows in the image...so I'd have to say this is my favorite of the two.

March 4, 2015

Duaflex

Duaflex (v1). David Hayes, 2015

So far this week I've been sharing my images of various elements to this still life. I thought today I'd share the entire composition. As before, I shot this with my Nikon D90 DSLR and did some quick processing of the raw image in Lightroom. I was after a dreamy effect so I also worked towards a bit of soft focus effect using the "Breeze" preset given to us by Kim Klassen in her workshop, Be Still 52.

Duaflex (v2). David Hayes, 2015.

In this version I opened the image in Photoshop and applied the Simple Set #1 texture which was also supplied by Kim for this lesson. I like how it darkens the image just a tad, bringing out the shadows a bit more.

Duaflex (v3). David Hayes, 2015.

And for the final version, I removed the Simple Set #1 layer and replaced it with the Simple Set #2 texture. Almost too dark for even my tastes, it does help bring the foreground out more than the other versions. So perhaps a little more "tweaking" would help....some other day.

March 3, 2015

Opening

Opening (v1). David Hayes, 2015.

Yesterday I posted some images of a stack of books that I used in my Be Still 52 still life shoot over the week-end. Only with the books there were also a vase of tulips, a vintage camera, and some vintage photos. Today I want to share with you all a close up of one of the tulips that I shot with my DSLR and processed in Lightroom and Photoshop. This first version was just processed in Lightroom for crop, exposure, etc. Nothing else was done to it.

Opening (v2). David Hayes, 2015.

In my second version, I opened the first version in Photoshop and layered a texture that Kim Klassen had provided called Simple Set #1. I like how this gives the image a bit more depth as well as "dirtying up" the edges a bit.

Opening (v3). David Hayes, 2015.

For this version I removed the Simple Set #1 layer and applied in its place a layer called Simple Set #2. A little darker and "dirty"... certainly a difference to the original version. I'll let you decide which one is best! (I like this version...but I'm that way.)

March 2, 2015

Knowledge

Knowledge (v1). David Hayes, 2015

This stack of books is from a more elaborate still life I set up in my living room over the week to take advantage of the sunlight streaming through our front blinds. The most recent Be Still 52 prompt had us working with more depth-of-field and falling off activities...and the results from that I'll share in a latter post. For now...I wanted to share these two versions of the books I shot with my iPhone6. This first version was then processed using the app, "Perfect B&W".

Knowledge (v2). David Hayes, 2015.

I used the app, "Laminar Pro" for this second version. Hard to say which one I like the best. Perhaps the second over the first...

February 25, 2015

On The Hunt

On the Hunt. David Hayes, 2015.

Something a little different today...a landscape vs. the still lives I've been posting as of late. I took this a couple of days ago whilst walking my Brittany along the Little Miami River here in Milford, OH. What I was after was a pano of the frozen river but my dog, always the ham, decided to photo bomb while I was running the shot. Taking a look at it later I decided to keep her in the shot...makes for a more interesting image don't you think? (Shot with my iphone6 in pano mode, processed with Stackables and Snapseed.)

February 23, 2015

Two Versions

Version 1. David Hayes, 2015

You've seen my iphoneography images from this shoot in my earlier posts...now it's time to show you what I did with my DSLR and Lightroom/Photoshop. Version 1 was edited in Lightroom and the preset Kim Klassen gave us was applied.

Version 2. David Hayes, 2015.

With Version 2, I opened the first version in Photoshop and layered on a texture Kim also gave us with this lesson. I think I like this version the best!

February 22, 2015

Four Lovelies


Pears have always been a subject of artists and photographers. Their skin and curves seem to attract many artists, including myself. Four Lovelies is my most recent study of pears this time shot with my iphone native camera app and processed with the iphoneography apps Distressed FX and a touch of Snapseed.


Let’s begin with the source image taken with my iphone 6 camera. I shot this using natural light against a white background in my kitchen. Looking at this image I immediately like how the light played along the curves of each of the four pears.


Opening the app Distressed FX, I picked the “Finch” filter in the top row which gave the image a nice late afternoon glow.


Moving to the second row of filters, I then used “Broken” as I wanted to give the image a vintage painterly look. This filters has a great texture feel to it!


Time for a bit of tweaking! Clicking on the “Adjustment” icon in the right hand corner, I then adjusted the Contrast, Brightness, and Color Palate using the slider bars. This helped pull out more of the shadows and details. I then saved this version to my camera roll and moved to Snapseed.


Here’s what I have so far.



If you’ve never used the app Snapseed, I would highly recommend that you get it for your toolbox. Not only does it have some great effects but also it is my go-to “finishing” app when I want to quickly add a bit of polish to my images.

Opening the image in Snapseed, I used the “Tune Image” feature to fine tune the image’s contrast and saturation.



I normally don’t add “Frames” to my images, but this one just seemed to need one! So…I went to the “Frame” menu and picked “Frame 10”. Perfect!


The finished image, Four Lovelies. In five quick steps…can’t beat that!!